Showing posts with label Federal style. Show all posts
Showing posts with label Federal style. Show all posts

Thursday, September 6, 2018

Today's Purchase! Federal period coin silver spoon. Part 1.

Early 19th century New York city made coin silver tablespoon in the Fiddle pattern. Made by New York city silversmith Maltby Pelletreau 


Today I bought a Fiddle pattern American Federal period coin silver table spoon in a French Quarter junk shop. When I fist saw the spoon I had hoped it might be a rare piece of New Orleans made Creole silver. After looking up the mark I found it was made by New York city silversmith Maltby Pelletreau (American b. 1791) of French Huguenot ancestry and still might have a New Orleans connection. The Pelletreau family originated from France and arrived in Massachusetts with twelve other Huguenot families in 1686. The family moved to Southampton, New York in 1728. Maltby Pelletreau's Grandfather Elias Pelletreau was the first silversmith in the family, working from 1750 - 1810 making gold jewelry, shoe buckles, tankards, silverware, etc. He became well-known as a silversmith in early America selling his wares to clients between Connecticut and New Jersey. He is considered a local hero for his role as Captain of the Suffolk County Militia and his financial backing of and participation in the American Revolution. His Grandson who made this spoon 🥄, Maltby Pelletreau was the third generation of this illustrious American silversmithing family. He worked in New York city from 1813 to 1840. Maltby Pelletreau, who had been in business in New York City since at least 1813, was engaged in a series of partnerships in Charleston South Carolina, and New Orleans where his New York city made silver was exported to the South. Researching antiques is just as exciting as finding them. This one ☝️ 200 year old spoon 🥄 found in a junk shop in New Orleans, made in New York City 🌃 by a person of French Huguenot Heritage is steeped full of American history is just more then a spoon 🥄. In a day where most people would rather have flatware 🍴 from IKEA 😳! Here @ Le Château de Hopkins we are sticking to the old stuff full of history and Beauty!

Tuesday, April 3, 2012

Barboursville Plantation ruins 1814-1822 Barboursville, Virginia

Barboursville Plantation ruins built 1814-1822 located Barboursville, Virginia

As a tour guide at Homewood house circa 1801 the guides would go on excursions to other Historic sights.
Today we will be touring the famous Barboursville ruins located Barboursville, Virginia. Barboursville was one of the largest and finest residences in the region. The only building in Orange County known to have been designed by Thomas Jefferson, Barboursville was constructed between 1814 and 1822 in the late Federal style for Jefferson's friend James Barbour, Governor of Virginia (1812-1814), U.S. Senator, Secretary of War, and Ambassador to the Court of St. James.

Jefferson's drawings called for a dwelling with a recessed portico on the north front and a three-part bay sheltered by a portico on the south front, with dome above--a scheme resembling Jefferson's own home Monticello. The dome, however, was not built. Even in its ruinous state, the house presents a romantic image of the Jeffersonian ideal, a compact but architecturally sophisticated classical villa in a carefully contrived landscape setting. The great oval in front of the house was originally a racetrack. The stabilized ruins are now the centerpiece of one of Virginia's first large-scale wineries. They also serve as an exceptional background for the Four County Players' presentations of "Shakespeare at the Ruins" on August weekends.



The scale of this house is quite large and grand. 

Jefferson’s design embodied a number of his renowned signatures -- the integration of the structure into an elevated knoll, the dome (not erected), and an octagonal room at the focal point of the wings of the house. Here, the octagon forms a core for the three stories of the house; from the main level it rises as one room, 2 stories high. The grandeur of this room, projecting from the south facade, lends such power and elegance to this monumental house


Approximately 8 miles south of James Madison’s Montpelier and 20 miles north of Thomas Jefferson’s Monticello in the same Southwest Mountain chain, parallelling the Blue Ridge, Barboursville was settled as a substantial plantation by Thomas Barbour, in the mid-1700s, occupying somewhat more than 5 times the estate’s present size of 900-plus acres.


The career of Barbour’s fourth son, James, cemented the rapport between these three leading families of the Virginia Piedmont -- as gentry and political allies in the nascent Republican Party, which Jefferson and Madison would lead into the White House, and James Barbour into the Virginia Governor’s Mansion, the U.S. Senate, and important Cabinet and diplomatic positions thereafter.


It was as President of the Albemarle Agricultural Society, as each man was in his time, that their character as farmers achieved even greater influence. But it was in their character as friends and neighbors, that the lives of these men are so palpable at Barboursville Vineyards, the remaining one of these 3 estates to sustain their leadership in agriculture, in a viticultural dimension which Jefferson foresaw and pursued with passion.


Though large in scale, the house contained only eight principal rooms, the hall, drawing room, and dining room being two-story chambers. The entrance façade featured a projecting Roman Doric tetrastyle portico which covered the recessed front wall of the entrance hall. On the garden front the walls of the octagonal drawing room projected into a similar portico, as at Monticello. The octagonal dome which Jefferson proposed in his drawing was omitted during construction; it is uncertain whether the Chinese latticework railing which appeared in Jefferson's drawing around the base of the roof was ever installed. Although the dining room had no chamber over it, Jefferson indicated a faux window on the second floor level in order to keep the garden front symmetrical. This feature was omitted and consequently gave that side of the house an unbalanced appearance. There is little evidence as to the appearance of the original interior architectural trim.




You can see the outline of where a mantel once stood  




A brick Flemish-bond mansion with a hipped roof, Barboursville stood two stories high over an English basement. After the fire, the family renovated a pair of brick dependencies to the west of the mansion. Today the estate is run as a vineyard.




Note the Flemish bond brick work used in the building, also known as Dutch bond, has throughout history been considered the most decorative bond and expensive brick work, and for this reason was used extensively for dwellings until the adoption of the cavity wall. It is created by alternately laying headers and stretchers in a single course. The next course is laid so that a header lies in the middle of the stretcher in the course below. This bond is two bricks thick. It is quite difficult to lay Flemish bond properly, since for best effect all the perpendiculars (vertical mortar joints) need to be vertically aligned. If only one face of a Flemish bond wall is exposed, one-third of the bricks are not visible, and hence may be of low visual quality. This is a better ratio than for English bond, Flemish bond's main rival for load-bearing walls.



Me and my friend Rosalie standing under 200 year old twenty feet plus high boxwood's 




Me and my friend Catherine standing under 200 year old twenty feet plus high boxwood's 


Barbour's estate has been known for its unusually large and fine boxwood, which flourish on the grounds immediately surrounding the main house. A portion of the gardens were once surrounded by a serpentine wall similar to those designed by Thomas Jefferson for the gardens at the University of Virginia.


Tuesday, January 4, 2011

The Greek Revival Brooks residence, Mobile, Alabama

The Greek Revival Brooks residence, Mobile, Alabama

The Brooks residence once located at 108 North Conception Street in Mobile, Alabama. The photo's and drawing date from 1934 and were done by the American Historic Buildings Survey. This beautiful Federal/Greek Revival style center hall home was torn down shortly after the photo's were taken. This Residence is unusual for Mobile at the time as two story columned front home were rare here. A broken porch with one story columns on each level seams to be more popular in Mobile dating from the early 19th century up to 1860. The American Historic Buildings Survey dates this home from the mid 19th entury but I think it was a lot earlier building dating from the 1820's or 30's.




This home could be in Natchez, Mississippi or Charleston, South Carolina. The sides of the building is more in keeping with the earlier Federal style with it's high parapet end with half semicircle windows at the attic level. What makes this house also Greek Revival is the imposing Classical Temple Greek Revival Doric column portico. The building to the left of the home is in the Spanish Revival style and might be a early gas station dating from the 1920's. Ironically cars, Gas stations and parking lot's were the reason masterpieces of Southern architecture like this were torn down for 70 years in Mobile, Alabama.


Detail of wrought iron railing in a pattern known as "Running Dog" popular in the French Quarter and Mobile from the early 19th century until around 1830. Most wrought iron was made by Free-men-of-color blacksmiths on the Gulf Coast. Note the marble tiled portico floor with Greek Key trim. And Quincy granite edging stone.

Beautiful measured drawings of the home and wrought iron.

Saturday, November 27, 2010

Gardiner-Pingree House 1804 in Salem, Massachusetts part 1

Gardiner-Pingree House 1804 in Salem, Massachusetts

In August of 2009 I toured one of the finest Federal period homes in America. The Gardner-Pingree House in Salem, Massachusetts. Built by John Gardner and his wife Sarah in 1804 during Salem's most prosperous era, this elegant Federal red brick town house is widely admired in the published history of American architecture for its imposing but balanced and restrained brick facade. It remains the finest surviving example of the many Federal style houses built in Salem between 1793 and 1825. The house features a central hall plan, five-bay facade arrangement with central front door. The symmetry of the earlier Georgian style is retained. The lavish interior and exterior wood ornamentation were designed and carved by Salem's master builder and carver, Samuel McIntire, at the height of his powers. whose innate sense of proportion and attention to decorative detail make him one of the most celebrated architects of the early Republic.



The house showcases some of the most outstanding examples of McIntire's woodcarving, including the Corinthian capitals on the semicircular portico with semi-elliptical or semi-circular fanlight with flanking sidelights (which were original covered with 22 caret gold leaf) and the neoclassical ornaments on the mantels, doorframes, and Federal furniture of the magnificent double parlor. The Federal style was known for it's simplicity and lightness of detail. Much more refined than the heavier Georgian style.

The house was the site of the notorious 1830 murder of Capt. Joseph White, whose death prompted a famous trial prosecuted by Daniel Webster. The trial inspired Edgar Allan Poe and Nathaniel Hawthorne. The house is owned by the Peabody Essex Museum as part of the Essex Institute, and is open for guided tours. It features 18th and early 19th century furnishings. Today we are touring the formal dinning room & beautiful double parlors. The first set of photo's of the interior are of the formal dinning room. The first parlor is set up as a setting room with much of the furniture carved by Salem's golden boy Samuel McIntire. The back parlor is set up as a elegant breakfast room. Sorry my photo's are poor no flash photography allowed in the house


Corinthian capitals on the semicircular portico with semi-elliptical or semi-circular fanlight with flanking sidelights (which were original covered with 22 caret gold leaf)


Neoclassical Cast iron fence in the front of the home.  


The dinning room














The first parlor is set up as a setting room with much of the furniture carved by Salem's golden boy Samuel McIntire.




 Elegant Federal sofa carved by Samuel McIntire covered in black horse hair


 Elegant Federal side chair carved by Samuel McIntire covered in black horse hair


Neoclassical door frame carved by Samuel McIntire


Detail of flower urn on Neoclassical door frame carved by Samuel McIntire


Neoclassical gilt and painted curtain cornice carved by Samuel McIntire






Neoclassical mantel carved by Samuel McIntire


Neoclassical opening between parlors carved by Samuel McIntire


Neoclassical opening between parlors carved by Samuel McIntire


Old Master painting of Cleopatra




The elegant breakfast room in the back parlor


elegant breakfast room