Pitot House museum, A 18th-century Creole colonial country house 1799.

This is a modern day copy of one of the finest Neoclassical Louis XVI styled carved and painted cypress New Orleans made Creole mantel and overmantel circa 1795 removed from the Bosque House in the French Quarter. The original is in the New Orleans Museum of Art.  

The Pitot House is a historic landmark in New Orleans, Louisiana, and is listed on the National Register of Historic Places.

The James Pitot House

The Pitot House is an 18th-century Creole colonial country home located at 1440 Moss Street in New Orleans, Louisiana. The Pitot House is currently owned by the Louisiana Landmark Society, which uses the building as its headquarters. The house is situated on Bayou St. John and was moved several blocks from its original site in order to prevent its demolition.

The Pitot House was initially constructed in 1799 by Don Bartólome Bosque as a country retreat along Bayou St. John. It is speculated that Bosque's house was a raised cottage on brick pillars. Bosque was a Spanish colonial official, whose daughter Suzette married Louisiana Governor William C.C. Claiborne.

It is also believed that during the ownership of Madame Rillieux (1805–1810), Edgar Degas' great-grandmother, the ground floor was enclosed with masonry walls of soft brick. Rillieux was also responsible for adding the southern gallery and several outbuildings, which are no longer extant.

The house is named for James Pitot, the fourth owner of the house who resided there from 1810 to 1819. Pitot is considered to be the first "American" mayor of New Orleans (1804–1805); for although he was a native of France, he became a naturalized American citizen before arriving in New Orleans in 1796. Inside are American and Louisiana antiques from the early 19th century, but the antiques are not original to the home. A portrait of Sophie Gabrielle, James Pitot's daughter, is the only artifact owned by any past resident of the house.

Other notable owners of the house include Felix Ducayet and Mother Cabrini, America's first named saint.

The home is within yards of the site of the "bayou bridge" which Governor Claiborne ordered the military "to permit no Negroes to pass or repass the same" during the events known as the 1811 German Coast Uprising. This event, said by some historians to be the largest slave uprising on American soil (a theory not recognized by all) caused white families living upriver in January 1811 to stream into New Orleans along Metairie Road. That road was the "highland" road which crossed the bridge at Bayou St. John, providing access to the traditional "back of town" entrance along Bayou Road into the city.

The house was saved from destruction by the Louisiana Landmarks Society in 1964 and restored to its original splendor, showing the double-pitched hipped roof, and the plaster-covered brick-between-post (briquette-entre-poteaux) construction. The wooden posts act as structural support, the brick offers thermal insulation, and the plaster protects this medley from dampness and rot.

The style of the Pitot House is ensuite—with no hallways and an outdoor stairway. The house was designed with hot summers and insects in mind. The doors were positioned across from each other to keep cool air moving. The extended galleries on both the bottom and top levels of the house keep the sun off the walls and offer outdoor breezeways.

The Pitot House was also designed to withstand floods and was able to survive the floods of Hurricane Katrina due to brick floors on the bottom level of the house which would have originally been caulked with a dry mix of sand and lime, allowing flood waters to drain through. The gallery, back loggia, and sleeping porch were used for outdoor entertaining, dining, and sleeping; they were fitted with shutters to provide relief from the intense Louisiana sun.

The garden at the Pitot House grows plants traditional to the time period when the Pitot House was built. These plants include indigenous flowers, citrus trees, perennials, bulbs, antique roses, camellias, herbs, and vegetables. The garden is a traditional parterre garden, designed to be viewed from the above gallery, with the boxwood hedges recently restored.

A native plants garden showcases Louisiana wildflowers and shrubs along the perimeter of the parterre. Next to the house is a 10,000-square-foot (930 m2) yard, where parties and events are held.

The back loggia

The back loggia, and sleeping porch were used for outdoor entertaining, dining, and sleeping; they were fitted with shutters to provide relief from the intense Louisiana sun.

The parlor 

The parlor 

The bedroom 

Detail of the Creole mantel 

The parlor 

The gallery, back loggia, and sleeping porch were used for outdoor entertaining, dining, and sleeping; they were fitted with shutters to provide relief from the intense Louisiana sun.

The garden is a traditional parterre garden, designed to be viewed from the above gallery, with the boxwood hedges recently restored.

The house was designed with hot summers and insects in mind. The doors were positioned across from each other to keep cool air moving. 

The extended galleries on both the bottom and top levels of the house keep the sun off the walls and offer outdoor breezeways.

Bayou St. John (French: Bayou Saint-Jean) is a bayou within the city of New Orleans, Louisiana.

The grand Bayou St. John in 1728.

The Bayou as a natural feature drained the swampy land of a good portion of what was to become New Orleans, into Lake Pontchartrain. In its natural state, it extended much farther than today; 18th- and early 19th-century maps show it had tributaries or branches (at least seasonally) reaching into what are now the Broadmoor neighborhood, the New Orleans Central Business District just back from St. Charles Avenue above Lee Circle, the Carrollton neighborhood, the Treme neighborhood, and a branch connecting to Bayou Gentilly.

Bayou Bend Collection and Gardens of American Decorative arts and Antiques.

Early 19th century Federal room at the Bayou Bend Collection and Gardens 

The last weekend of September I was invited to Texas for a long weekend by a friend to show my Folk artwork at the Smither Park Grand Opening Celebration. Houston's first folk art-inspired green space, dedicated to Stephanie and John Smither, avid and celebrated collectors of visionary and self-taught art. Smither Park took six years and nearly 300 artists to complete, and is a public mosaic masterpiece. We had a wonderful time! This was the first time I step foot on Texas soil other then the airport going to France! 

At the end of the weekend it was time to get some museums in and some antiquing! Bayou Bend Collection and Gardens was 1st on my list as I have known about this place since I was a child interested in Early American antiques. The collection at Bayou Bend presently consists of approximately 4,700 objects that reflect historic and stylistic periods from 1620 to 1870 installed in some 28 period room settings that showcase American decorative arts from 1620 through 1870. Miss Hogg began assembling this important collection of American decorative arts in 1920. To provide suitable settings for these extraordinary antiques, Staub designed simple but stately interiors in the style of colonial American rooms.

In 1920, while sitting for a portrait by artist Wayman Adams, Miss Hogg admired a simple armchair belonging to the artist that was made in colonial America and later obtained a similar Queen Anne chair for herself. Almost half a century later, Miss Hogg acquired the very same chair that she had first seen in Adams' studio. "From the time I acquired my first Queen Anne armchair in 1920, I had an unaccountable compulsion to make an American collection for some Texas museum." The collection also contains notable objects from outside America, including English ceramics used in Colonial America.

Buffalo Bayou is a slow-moving river which flows through Houston in Harris County, Texas. Formed some 18,000 years ago, it has its source in the prairie surrounding Katy, Fort Bend County, and flows approximately 53 miles (85 km) east through the Houston Ship Channel into Galveston Bay and the Gulf of Mexico. In addition to drainage water impounded and released by the Addicks and Barker reservoirs, the bayou is fed by natural springs, surface runoff, and several significant tributary bayous, including White Oak Bayou, Greens Bayou, and Brays Bayou.

As the principal river of Greater Houston, the Buffalo Bayou watershed is heavily urbanized. Its 102-square-mile (260 km2) direct drainage area contains a population of over 440,000. Including tributaries, the bayou has a watershed area of approximately 500 square miles (1,300 km2).

Miss Hogg created a series of gardens that were intended as outdoor rooms for living and entertaining. In 1957, Miss Hogg donated her home and her collection to the Museum of Fine Arts, Houston. Bayou Bend opened to the public in 1966.

Ima Hogg (July 10, 1882 – August 19, 1975), known as "The First Lady of Texas", was an American society leader, philanthropist, patron and collector of the arts, and one of the most respected women in Texas during the 20th century. Hogg was an avid art collector, and owned works by Picasso, Klee, and Matisse, among others. Hogg donated hundreds of pieces of artwork to Houston's Museum of Fine Arts and served on a committee to plan the Kennedy Center in Washington, D.C. An enthusiastic collector of early American antiques, she also served on a committee tasked with locating historical furniture for the White House. She restored and refurbished several properties, including the Varner plantation and Bayou Bend, which she later donated to Texas arts and historical institutions who maintain the facilities and their collections today. Hogg received numerous awards and honors, including the Louise E. du Pont Crowninshield Award from the National Trust for Historic Preservation, the Santa Rita Award from the University of Texas System, and an honorary doctorate in fine arts from Southwestern University.

Hogg was the daughter of Sarah Ann "Sallie" Stinson and James Stephen "Big Jim" Hogg, later attorney general and governor of the state. Ima Hogg's first name was taken from The Fate of Marvin, an epic poem written by her uncle Thomas Hogg. She endeavored to downplay her unusual name by signing her first name illegibly and having her stationery printed with "I. Hogg" or "Miss Hogg". Although it was rumored that Hogg had a sister named "Ura Hogg", she had only brothers. Hogg's father left public office in 1895, and soon after, her mother was diagnosed with tuberculosis. When Sarah died later that year, Jim Hogg's widowed elder sister moved to Austin to care for the Hogg children. Between 1899 and 1901, Hogg attended the University of Texas at Austin; she then moved to New York City to study piano and music theory for two years. After her father's death in 1906, she traveled to Europe and spent two years studying music under Xaver Scharwenka in Vienna. When she returned to Texas, she established and managed the Houston Symphony Orchestra and served as president of the Symphony Society.

The discovery of oil on her family's cotton plantation made Hogg very wealthy, and she used this income to benefit the people of Texas. In 1929, she founded the Houston Child Guidance Center, which provides counseling for children with mental health problems or diagnoses and their families. Through her brother's will, she established the Hogg Foundation for Mental Health at the University of Texas at Austin in 1940. Hogg successfully ran for a seat on the Houston School Board in 1943, where she worked to remove gender and race as criteria for determining pay and established art education programs for black students. Hogg never married, and died in 1975. The Ima Hogg Foundation was the major beneficiary of her will, and carries on her philanthropic work today. Several annual awards have been established in her name, honoring her efforts to preserve cultural heritage in Texas.

Antonio Frilli

Florence, Italy, founded 1860

Clio, Muse of History

1939 

Marble 

The mansion, designed by architect John F. Staub, was built between 1927 and 1928 for Ima Hogg and her brothers, William C. and Michael Hogg. Covered in towering trees and thick undergrowth, the home site was, in Miss Hogg's words, "nothing but a dense thicket". The home was one of the first to be located in the River Oaks neighborhood developed by the Hogg brothers. During construction, Ima Hogg insisted that as many trees as possible be kept. Only one tree was sacrificed to make room for the house, and the gardens were created around the existing trees. Ima Hogg gave the home its name, over the objection of her brother Will, who said the name was "too muddy and 'muskeetery' and malarial". Ima responded that "not everyone can have a bayou".

Staub's plan for Bayou Bend combined eighteenth-century Georgian architecture with elements that are distinctly Southern and of Spanish Creole architecture. Other aspects of Bayou Bend's design are borrowed from Southern plantation houses. The interiors borrow more heavily from the architectural traditions of the North. Staub incorporated floorboards and paneling from two eighteenth-century Massachusetts houses in Miss Hogg's bedroom and sitting room.

The heavily wooded 14 acres (5.7 ha) along Buffalo Bayou include eight formal gardens. Three of the gardens are named for a statue of a goddess or muse displayed in the garden, Clio, Diana and Euturpe. The other gardens are named White, East, Butterfly and Carla. In September 2008, the winds of Hurricane Ike caused extensive damage to the gardens. Although none of the statues were damaged, between 65 and 70% of the pine trees on the grounds had fallen, as had an American holly tree, which at 55 feet (17 m) was the tallest of its kind in Harris County, Texas. Bart Brechter, the Curator of Gardens at the museum, estimated that it would take 5 months to clear the debris and could take years to bring the gardens to their former state.

Staub's plan for Bayou Bend combined eighteenth-century Georgian architecture with elements that are distinctly Southern and of Spanish Creole architecture. Other aspects of Bayou Bend's design are borrowed from Southern plantation houses. 

John Singleton Copley

American, 1738–1815

Portrait of Mrs. Gawen Brown (Elizabeth Byles, 1737–1763)

1763 

Pastel on laid paper, mounted on bleached plain-weave linen 

American

Sofa

1750–1801 

Mahogany; red oak, yellow-poplar, southern yellow pine, white oak, and eastern white pine 

American

Sofa

1785–1820 

Mahogany; birch and eastern white pine

American

Side Chair

1785–1820 

Mahogany; with ash, black cherry, eastern white pine 

Tucker China Factory

American, active 1826–1838

c. 1826–1838 

Hard-paste porcelain with enamel and gilding 

Rembrandt Peale

American, 1778–1860

Portrait of Henry Robinson

c. 1816–1820 

Oil on paper, mounted on canvas 

American

Gaming Table

c. 1830–1845 

Mahogany, rosewood, and marble

Benjamin Henry Latrobe

American, born England, 1764–1820

Pair of Side Chairs

1808 

Gessoed, painted and gilded yellow poplar, oak, maple, and eastern white pine with cane 

Benjamin Henry Latrobe

American, born England, 1764–1820

Pair of Side Chairs

1808 

Gessoed, painted and gilded yellow poplar, oak, maple, and eastern white pine with cane 

James Peale

American, 1749–1831

Still Life with Vegetables

1826 

Oil on canvas 

Attributed to Joseph Meeks & Sons

American, active 1829–1835

Sideboard

1825–1835 

Gilded mahogany and mahogany veneer; white oak, soft maple, ash, eastern white pine, and yellow-poplar

American

Gaming Table

c. 1830–1845 

Mahogany, rosewood, and marble

Attributed to Joseph Meeks & Sons

American, active 1829–1835

Sideboard

1825–1835 

Gilded mahogany and mahogany veneer; white oak, soft maple, ash, eastern white pine, and yellow-poplar

English , possibly decorated in America

, possibly decorated in America

Temperance Association Pitcher

c. 1840–1850 

Hard-paste porcelain with enamel and gilding 

English , possibly decorated in America

, possibly decorated in America

Temperance Association Pitcher

c. 1840–1850 

Hard-paste porcelain with enamel and gilding 

Thomas Natt

American, active 1809–1841

Looking Glass

c. 1835 

Eastern white pine; composition, gold leaf, mirrored glass 

Tucker China Factory

American, active 1826–1838

Vase

c. 1826–1838 

Hard-paste porcelain with enamel and gilding 

American

Sconce (one of a pair)

c. 1815–1825 

Pine and gilding 

French

Mantel

c. 1968 

Granite Belge marble with gilt brass or bronze 

Decorated by John Philip Fondé

American, 1794–1831

Side Chair

c. 1816 

Painted and gilded ash; eastern white pine and white oak with reproduction moiré 

Robert Havell, Jr.

American, 1793–1878

American Flamingo

1838 

Etching and aquatint with watercolor on wove paper 

Chinese (Qing)

Armchair

c. 1800–1825 

Bamboo and cane

American

Side Chair

c. 1815–1825 

Soft maple and painted soft maple

Dufour et Leroy

French, 1821–1836

Panel from "Les Rives du Bosphore"

1828 

Block-printed paper 

English or American

Pier Glass

1785–1820 

Gilded eastern white pine; composition

American

High Chest of Drawers

c. 1730–1760 

Paint, gesso, gold leaf, eastern white pine, soft maple, brass; eastern white pine 

After John Singleton Copley

American, 1738–1815

Watson and the Shark

c. 1780–1790 

Oil on canvas 

John Wollaston

English, active American colonies c. 1749–1758, 1765–1767

Portrait of William Holmes (1762–c. 1818/20)

c. 1765–1767 

Oil on canvas 

American

Low Side Chair

c. 1790–1810 

Various undetermined woods 

Thomas Flintoff

English, c. 1809–1891, active Texas 1851–1852

Portrait of the Jones Children of Galveston

c. 1851

Crawford Riddell

American, active 1837–1849

Side Chair (one of a pair)

c. 1844 

American

Armchair

1785–1815 

Ash; painted and gilded, composition decoration; original linen and horsehair foundation; gilded brass tacks; and modern silk cover 

American

Table

c. 1845–1875 

Black walnut; pine, ivory or bone

American

Eagle

1850–1900 

Unidentified wood, paint 

Staub's plan for Bayou Bend combined eighteenth-century Georgian architecture with elements that are distinctly Southern and of Spanish Creole architecture. Other aspects of Bayou Bend's design are borrowed from Southern plantation houses. 

The heavily wooded 14 acres (5.7 ha) along Buffalo Bayou include eight formal gardens. Three of the gardens are named for a statue of a goddess or muse displayed in the garden, Clio, Diana and Euturpe. The other gardens are named White, East, Butterfly and Carla. In September 2008, the winds of Hurricane Ike caused extensive damage to the gardens. Although none of the statues were damaged, between 65 and 70% of the pine trees on the grounds had fallen, as had an American holly tree, which at 55 feet (17 m) was the tallest of its kind in Harris County, Texas. Bart Brechter, the Curator of Gardens at the museum, estimated that it would take 5 months to clear the debris and could take years to bring the gardens to their former state.

Antonio Frilli

Florence, Italy, founded 1860

Clio, Muse of History

1939 

Marble 

The heavily wooded 14 acres (5.7 ha) along Buffalo Bayou include eight formal gardens. Three of the gardens are named for a statue of a goddess or muse displayed in the garden, Clio, Diana and Euturpe. The other gardens are named White, East, Butterfly and Carla. In September 2008, the winds of Hurricane Ike caused extensive damage to the gardens. Although none of the statues were damaged, between 65 and 70% of the pine trees on the grounds had fallen, as had an American holly tree, which at 55 feet (17 m) was the tallest of its kind in Harris County, Texas. Bart Brechter, the Curator of Gardens at the museum, estimated that it would take 5 months to clear the debris and could take years to bring the gardens to their former state.

Buffalo Bayou is a slow-moving river which flows through Houston in Harris County, Texas. Formed some 18,000 years ago, it has its source in the prairie surrounding Katy, Fort Bend County, and flows approximately 53 miles (85 km) east through the Houston Ship Channel into Galveston Bay and the Gulf of Mexico. In addition to drainage water impounded and released by the Addicks and Barker reservoirs, the bayou is fed by natural springs, surface runoff, and several significant tributary bayous, including White Oak Bayou, Greens Bayou, and Brays Bayou.

As the principal river of Greater Houston, the Buffalo Bayou watershed is heavily urbanized. Its 102-square-mile (260 km2) direct drainage area contains a population of over 440,000. Including tributaries, the bayou has a watershed area of approximately 500 square miles (1,300 km2).

Buffalo Bayou is a slow-moving river which flows through Houston in Harris County, Texas. Formed some 18,000 years ago, it has its source in the prairie surrounding Katy, Fort Bend County, and flows approximately 53 miles (85 km) east through the Houston Ship Channel into Galveston Bay and the Gulf of Mexico. In addition to drainage water impounded and released by the Addicks and Barker reservoirs, the bayou is fed by natural springs, surface runoff, and several significant tributary bayous, including White Oak Bayou, Greens Bayou, and Brays Bayou.

As the principal river of Greater Houston, the Buffalo Bayou watershed is heavily urbanized. Its 102-square-mile (260 km2) direct drainage area contains a population of over 440,000. Including tributaries, the bayou has a watershed area of approximately 500 square miles (1,300 km2).